Timecode… from outer space!

Timecode sync is now ubiquitous on all kinds of workflows, as the number of devices on set and demand for more efficient editing grows. Traditionally, there would be one timecode master clock managed by the sound department, which is either synced with a direct cable or with standalone sync “lockit box” generators placed on each camera.

But what if there is no sync master clock or dedicated sound mixer on your production? What if your production has multiple crews filming in distant locations, but still wants to share a common clock? What if you just want a plug-and-play method of timecode sync?

DISH.TC’s new timecode generator, DISH Pro, can solve these situations by syncing to a transmission from 20,000 km above the Earth’s surface – a public atomic clock satellite. This way, every device and every crew can stay in sync regardless of location, giving editors the power to have a common clock between all media, local or remote.

Every DISH Pro receiver syncs with the satellites’ UTC time of day signal, and applies your SMPTE frame rate of choice with one-button operation. No apps, menus or other distractions. Turn on your DISH Pros, select your frame rate, face them towards the sky, and after calibration they are in frame-accurate sync with each other. Plug it into your camera’s timecode input with a BNC or adapted audio cable, and you’re all set.

When connected to the satellite, the DISH Pro never loses sync. But when signals are weak, its internal timecode generator with 2x AA batteries will still maintain sync throughout a full production day. During our testing, syncing took an average of 1-3 minutes, then it immediately provided timecode to a connected camera or recorder. The setup and operation is so straightforward, that there isn’t much more to say about DISH. It “just works”.

There are a couple points to consider if you are interested in the DISH Pro. Most importantly, you’ll need line of sight with the open sky to get started. If you are underground or elsewhere with difficulty receiving wireless signals, you’ll need to step outside first.

All DISH Pros sync to universal GMT (United Kingdom time) regardless of their physical location. If your workflow or post production needs their timecode to reference local time of day, this may not be the best choice for your project. Also, this system only provides LTC timecode, but if you also need Word Clock or U-Bit support, there are other products available.

The single power button is convenient, and its recessed design may prevent accidental pushing, but not entirely. The DISH Pro turns off as easily as it powers on, and will then need a couple minutes to resync with the satellite. A longer hold-push to power down would be safer for fast paced environments. Hopefully these points can be addressed with a future firmware update. Although, a piece of tape placed over the button works too.

DISH Pro is a solid option for effortlessly syncing up your remote ENG crews, big reality shows, coordinating multiple locations, or just simplifying your workflow when no master clock is available. It’s manufactured and tested locally in the US, and soon available at speciality pro audio shops for about $250.

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Special thanks to Ari Krupnik of Dish.TC!